New ways of setting up shop for the producerĪnd artist are the stories I am interested in hearing. Recordists are willing to forge new ground I think theĭays of being tethered to a room might haveĭiminishing returns if only the modern day Those Tascam boards are selling like hotcakesĪnd so are many USB interfaces. To work in a different environment than others.
Just let it go at that until you're really, really sure you want to go in deeper.Ĭlick to expand.Hey man, let's face it, some people just like It's cheap, it's great, it works on multiple platforms.Īnd let it go at that for a long time. And don't play around with more mics after that unless you really care about it.įor software, use Reaper.
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These are professional microphones that are affordable, won't box you into a corner sonically, and are useful on a lot of different instruments. Or, if I were trying to save money, get an EV635a. Get one good microphone that you won't ever outgrow. There's absolutely nothing wrong or limiting about the Onyx preamps. Much better than the 2 port interfaces of a decade ago. I will say that I use a $130 Mackie Onyx Artist usb interface in the basement, and it's really not bad. I'm not going to begin discussing my whole setup. So, if I were trying to keep it cheap and functional, I'd say: But after spending a lot of time figuring out what works and what doesn't work, I have to say, the real cost is spending a lot of time figuring out what works and what doesn't work. I didn't get into digital recording thinking I was trying to limit it. I really hate to advise people on the best way to get into a rat hole.
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